Alexander leaned wearily back in his chair. Alexandria's infuriating
habit of never letting anyone have the last word but her was, well,
infuriating. And of course the date story didn't work. But the truth
was that Alexander simply could not come up with a better one.
But if he could get the thing with Miranda to work, perhaps it would
lend more credibility to the whole excuse. No need to backtrack yet.
He shook his head. Why was he thinking this way?
Alexander had been overreacting the night before, he was sure of it.
He had ended up just falling asleep by the tree; he had been so
exhausted and depressed. He had woken up with the sun, which was
noticeably later than normal. Obviously it was due to it being late
fall, but it was the first time Alexander had really noticed.
He had been very cold, and he walked briskly back to his apartment.
Instead of going in, he had found a good vantage point to his
apartment and stayed there, watching. When Alexandria had left, he
went in.
Alexander had decided to take a personal day, and not go to any of
his classes. He took a very long and very hot shower, and tried to
figure out what had happened the night before. He revisited his
thoughts now.
Obviously the brews, and especially the drop, had hit him hard, but
he had no reason to suspect that it would be the same every time. He
had done a bit of research on the brews when he had fixed himself a
small lunch, and apparently everyone was hit pretty hard the
first time. Something to do with how the brain just wasn't used to
the chemicals behaving in that way. Usually those sort of chemicals
came during predictable events in response to various actions. You
had chocolate, and you felt better. You saw a scary movie, and you
were frightened. Certain actions had certain chemical consequences.
But the brews were, from the brain's point of view, unexpected, and
the influx and outflow was hard to handle. It was similar to the
hormonal craziness that happened to women during a pregnancy, but
not, of course, the same. Alexander had never been pregnant, so he
had no way to confirm or deny.
Did he need to go to the brewery again? Well, now that he knew what
the dangers were, he couldn't really think of a reason not to. Elanor
had made a good point during there conversation. Things just made
more sense with the brews. Last night, he had been sure that
Alexandria was just being supportive in an unconventional way. After
this conversation, he was back to thinking that she was just mean.
The story you told yourself mattered. And right now, Alexander's
story was pretty miserable. Endlessly berated by a sister who seemed
to have life much more figured out than he did; unable to get women,
or anyone for that matter, to really enjoy his company; uncertain of
his direction in school and life. It wasn't looking good.
But with the brews, the story changed. Alexandria had his best
interests at heart. Miranda was just being cautious, and perhaps a
little hard to get. He just felt better about himself when he
was drinking the brews. And that was a rare occurrence these days.
So what was the problem? Well, there was the money issue, but if
Alexander just stuck to the softer brews with the smaller kicks, it
should be manageable.
There was a buzz. Alexander got up, puzzled. Alexandria would just
thumb herself in. Who was this? He activated the viewer. There was a
man with medium-length blonde hair staring back at him. He looked
eerily calm.
“Are you Alexander?” the man asked.
“Yes.” There wasn't much harm in that. What was going on? Was
this something connected with last night?
“I'm a friend of Alexandria's,” the man said. “My name is
Calvin. May I come in?”
“Yeah, I guess.” Alexander thumbed the viewer.
He heard footsteps coming down the hall, and he opened the door to
let Calvin in.
Calvin wiped the sandy hair out of his eyes and looked around. “Is
she here?”
“She left a while ago, I'm afraid,” Alexander said.
Calvin frowned at Alexander. “Why didn't you tell me that when I
was outside?”
“Well, she went off to talk to a friend of hers. And you didn't
ask. How was I supposed to know?” Boy troubles. He made up his mind
then and there.
Calvin nodded. “You're correct, I should have been more diligent
with my questions.”
Alexander waved to the couch. “Have a seat. Can I get you
anything?”
Calvin sat down, and shook his head. “No, thank you.”
Alexander relaxed in his recliner, and looked at Calvin steadily.
“So, what's going on between you and my sister?”
“Nothing, as far as I know,” Calvin said. “I just wanted to
apologize to her for some things that I said while driving her home.”
“Why would you drive her home? What was she doing?” Some part of
Alexander was hopeful that Alexandria, too, had some secrets. Other
parts of him realized that he was being ridiculous. As Calvin started
to answer, Alexander's phone went off. He waved by way of apology to
Calvin, and thumbed the phone on.
“Hi, Al!” It was Alexandria.
“Hi, Lex.” He looked over at Calvin, who was watching him,
expressionless. “Everything ok?”
“Yes, thank you.” She went on to explain about the dinner party,
and asked him whether he could help with the story. Apparently Calvin
was going to help with the puzzle.
“Have you asked him?” Alexander asked. Perhaps this was why
Calvin was here, in addition to trying to see his sister.
“Not yet,” she replied.
Odd. “I can,” Alexander said. He brought the phone down to his
shoulder, and talked to Calvin. “Have you heard about this dinner
party thing that the girls want to do?” Calvin nodded. “Well they
want to do a murder mystery night. They want us to do the story and
the mystery. You cool with that?”
“Yes, I am.”
“Alright.” He picked the phone back up. “Yeah, Lex, that sounds
great. We'll hammer something out.”
“We'll take care of the food and the decorations and all that,”
his sister replied. “Feel free to invite the girl from last night
too. Or anyone, really.” She hung up. Alexander snarled. She was
really taking every cheap shot she could, wasn't she? Calvin was
talking.
“In case you have not figured it out by now, I'm Theresa's
roommate. I was able to drive Alexandria home last night, and on
another occasion this morning.”
“Gotcha. I guess I thought you were just her friend or something,”
Alexander said.
“No.”
Alexander leaned back in his chair. “Have you ever written anything before?” He asked.
“I have not; and I'm not too familiar with story structure, either.
But I am fairly logical--” Al could tell. “--and I imagine they
want me to help you with the mystery. Making it logically difficult
but not logically impossible.”
“Fair enough,” Alexander said.
For a good hour or so, they planned for the mystery. Alexander
pointed out a few common mystery tropes, and how he hoped to subvert
them. He doubted that many attendees would be as knowledgeable about
tropes as he would; but he didn't want anyone to be able to figure it
out. On the other hand, most everything that could be done in the
mystery world had been done by author's seeking to subvert
tropes, so Alexander wasn't exactly on new ground despite his
efforts. Calvin was particularly interested in that.
“It's a large problem in the literature world, then, that things
are more or less explored?” Calvin asked.
“Well, yes. There was a whole literary movement based around trying
to create new things, and realizing it's impossible. It was called
modernism, and some author's were depressed as hell about the fact
that they could never create anything new. And in there quest to
create new things, some of their work was pretty terrible. It still
haunts some authors today.”
“Odd,” Calvin said. “May I use your surface?”
Alexander nodded.
“Because that is not the same in other places. Mathematics, logic,
computer science, any of the physical sciences. Let us take games for
an example.” Calvin thumbed the surface; the table brought a chess
arrangement onto the board.
“I thought chess hasn't been interesting since computers beat
master back in ninety eight.”
“Ninety seven, actually. But yes, it's still interesting.” Calvin
looked at him, and smiled. “I'm not quite sure what a modernist
thinks like, but I suspect you're thinking like one right now. You
must not.” He looked back at the board. “There's a concept in
chess called the Book. The Book is a database of every single
tournament chess game ever played. It records all the moves. So for
each move, we can see whether there has been a tournament which has
used those moves. Now, a modernist would say that every game of chess
that could be played has been played, yes?”
“A modernist would say that, I suppose. But probably not literally
about chess. I can imagine some pretty stupid games that would
probably never be played, in the same way that some pretty stupid art
had never been created.”
“The same might be true of mystery stories,” Calvin said. “But
you make a good point. If we were to take another game, checkers for
example, the 'perfect game' has been discovered a while ago. A
checkers championship a few years ago had a curious thing happen in
the final round. The match between the two finalists was decided by a
forty game series. They were all draws. Every one of them. And twenty
of those games were the exact same game.”
“Move for move?” Alexander asked.
“Move for move. A modernist would say that literature is like
checkers, yes?”
Alexander shuddered. “Yes, they would.”
“I thought so. Let me show you something.” Calvin pressed his
index finger down on a white pawn, and flicked it forward two spaces.
“If we were to consult the Book,” Calvin said, and based on the
numbers that were appearing on the surface, Alexander suspected that
he was doing just that. “We might see that this move is the opening
move in one million, seven hundred and seventy five thousand games.”
“What?” said Alexander, astonished.
“There are not that many legal opening moves, and fewer good ones.
Let me continue.” He moved one of the black pawns forward. “Let
us say that this sequence of moves has occurred in five hundred and
fourteen thousand games or so.” He flicked another white pawn
forward. “Three hundred and thirty five thousand.” A black pawn.
“Three hundred and one thousand.” A white knight. “Two hundred
and fifty thousand.” A black bishop. “Ninety one thousand.” He
took the black pawn with the white knight. “Two thousand four
hundred and twenty eight games.” He moved the black bishop into an
attacking position. “Two thousand four hundred and three games.”
Alexander laughed. “A common counter?”
“Perhaps.” Calvin continued, moving another white pawn to defend.
“One thousand nine hundred games.” The black bishop retreated.
“One thousand, eight hundred games.” The white queen moved.
“Three hundred games.”
“A sudden drop.”
“That happens too, on occasion,” Calvin said. The black bishop
started forward again, aggressively. “Nineteen games.” Calvin's
hands were flicking the pieces quickly now, and Alexander was
struggling to follow.
Another white pawn. “Eleven games.”
The black bishop retreated again. “Still eleven games.”
The white bishop entered the middle of the field. “Ten games.”
The black bishop took the white bishop. “Five games.”
The white pawn took the black bishop in return. “Five games.”
Calvin castled the white rook and the white king. “Zero games.”
“Zero?” Alexander asked.
“Zero. There are no games in the history of tournament chess that
have ever been in this configuration. And the balance of probability
would suggest that there are no chess games in the history of the
world that have been in this position either. And furthermore, it
only took a depth of eighteen moves to reach that point. All games
reach that point, some quicker than others. It is called being 'Out
of Book.' ”
“Out of Book. I like that.”
“And as complex as chess is,” Calvin said. “Why would we not
suspect the same thing for literature, for the art of human
imagination?”
“We would,” Alexander said. “I'm not disagreeing with you. I
think the modernists were alarmists.” But even as he said it,
Alexander realized that he didn't really believe it. That was his
problem with the programs that he had been watching; the problem that
he had ran into while trying to create a completely new mystery. The
good stories had all been told, and even if the particulars could be
new, the main thrusts of the stories could not. There was no joy of
revelation in the stories anymore, no surprise, at least none that
Alexander could find. But he didn't want to talk about it now. “If
you wouldn't mind, I have some things to get to,” Alexander said to
Calvin.
“Of course, I'll be on my way. I'll continue thinking about the
puzzle, we should view each other some time.”
“I agree. Thanks for helping.”
They shook hands, and Calvin stood up `and quickly strode out the
door. As he did, Alexander looked down at the chess board still
displayed on the surface. Part of him was suddenly very thirsty.
Chapter 10: 2,355 | 20,566/50,000
Author’s Note in Comments
Good evening, dear readers.
ReplyDeleteFirst off, if you're confused, that is because today was a two-chapter day, and you haven't read chapter 9 yet. Do so first.
Second, I hope this was an enjoyable and interesting chapter. The information here might be a little bland, which is too bad. This actually contains one of the big themes of the book, and I really want to spend hours and hours tinkering with it to try to deliver that theme in the best way possible. But it's NaNoWriMo, and I really want to get in bed before midnight, so I am posting it without really re-reading.
Third, the chess thing is 100% true, and it is cribbed from Radio Lab-- which I highly recommend. The checkers thing is also 100% true.
Fourth, for those who care about story structure, we have one chapter left in Act 2 (and some readers have already guessed what it is), and then we're on to Act 3. I hope you can see some of the directions in which we are going, and if not, you'll find out soon enough.
Fifth, with this chapter, I am finally ahead of schedule on word count. (And we've also broken 20,000!!! YAY!) It's been a pretty writing-intensive night, and I am ready for bed. This author's note should be longer, but if I had more time I would just agonize about how I'm worried that I didn't pull off the thematic punch well, and nobody wants to read that, so I'll just leave it as things are.
Good night!
john
I love the chess explanation. I also heard that radio-lab, and absolutely loved it. The same thing happens at the end of the game, when it becomes obvious that a certain set of moves WILL win the game. And yet, that middle space for creativity still remains. It shrinks, but very, very slowly.
ReplyDelete"similar to the hormonal craziness that happened to women"
ReplyDeleteI'm sorry, I just cackled.
Try something else for that line. ; )
Okay, back to reading the rest of it.